1/90Rhea Dillon, Gestural Poetics Soft Opening at Paul Soto, Los Angeles, 2024 1/90Rhea Dillon, Gestural Poetics Soft Opening at Paul Soto, Los Angeles, 2024 1/90Rhea Dillon, Prayer. 2024 Sapele mahogany, oil stick and paper, 95.2 × 125 × 23 cm1/90Rhea Dillon, piercing space and parting seas 2024 Sapele mahogany, oil stick and paper, 95.2 × 125 × 23 cm1/90Rhea Dillon, Less than that; 2024 Sapele mahogany, oil stick and paper, 95.2 × 125 × 23 cm1/90Rhea Dillon, There’s so much air in the word for wishes for, wishes of. 2024 Sapele mahogany, oil stick and paper, 95.2 × 125 × 23 cm1/90Rhea Dillon, carried on the spirit air. 2024 Sapele mahogany, oil stick and paper, 95.2 × 125 × 23 cm1/90Rhea Dillon, Each now, is the time Lismore Castle Arts, Lismore, 2024 1/90Rhea Dillon, Each now, is the time Lismore Castle Arts, Lismore, 2024 1/90Rhea Dillon, The Black Fold Kunstverein Kevin Space, Vienna, 2023 1/90Rhea Dillon, The Black Fold Kunstverein Kevin Space, Vienna, 2023 1/90Rhea Dillon, Left by Left, Left OutRight. (Fascist Aesthetics) 2023 Anti-climb paint on wood, 5 panels 70 x 54.5 cm each1/90Rhea Dillon, Atlas above all, else 2023 Ceramic and cut crystal, 113 x 18.5 x 18.5 cm1/90Rhea Dillon, An Alterable Terrain Tate Britain, London, 2023 1/90Rhea Dillon, An Alterable Terrain Tate Britain, London, 2023 1/90Rhea Dillon, Placing Her Within An Alterable Terrain 2023 Acrylic glass, 160 × 160 × 160 cm1/90Rhea Dillon, Flagging Visions Of Periphery 2023 Steel, polyester and resin, 104.5 × 130 cm1/90Rhea Dillon, Flagging Visions Of Periphery (detail), 2023 Steel, polyester and resin, 104.5 × 130 cm1/90Rhea Dillon, As Wata to Wine, Wine to Blood, Blood to Dirt, Dirt to Sand, Sand to Water; Wata (Bit) 2023 Iron, plastic and sand, 10.2 × 40.7 × 30 cm1/90Rhea Dillon, Swollen, Whole, Broken, Birthed in the Broken; Broken Birthed, Broken, Deficient, Whole—At the Black Womb’s Altar, At the Black Woman’s Tale 2023 Sapele Mahogany, Calabashes, 25.4 × 160 × 25.4 cm1/90Rhea Dillon, Swollen, Whole, Broken, Birthed in the Broken; Broken Birthed, Broken, Deficient, Whole—At the Black Womb’s Altar, At the Black Woman’s Tale 2023 Sapele Mahogany, Calabashes, 25.4 × 160 × 25.4 cm1/90Rhea Dillon, C/leaning Figures 2023 Scent, soap, molasses and resin, Dimensions variable1/90Rhea Dillon, C/leaning Figures (detail), 2023 Scent, soap, molasses and resin, Dimensions variable1/90Rhea Dillon, C/leaning Figures (detail), 2023 Scent, soap, molasses and resin, Dimensions variable1/90Rhea Dillon, C/leaning Figures (detail), 2023 Scent, soap, molasses and resin, Dimensions variable1/90Rhea Dillon, C/leaning Figures (detail), 2023 Scent, soap, molasses and resin, Dimensions variable1/90Rhea Dillon, We looked for eyes creased with concern, but saw only veils Sweetwater, Berlin, 2023 1/90Rhea Dillon, There the flawed became whole (Then the screen would light up, and I’d move right on in them pictures) 2023 Steel, 125.5 × 250 1/90Rhea Dillon, Incomprehensible Sex Coming To Its Dreaded Fruition; nothing remains but Pecola & the Unyielding Earth 2023 Sapele mahogany and marigold seeds, 22.5 x 38 x 19 cm1/90Rhea Dillon, Pretty eyes. Pretty blue eyes. Big blue pretty eyes. Run, Jip, run. Jip runs, Alice runs. Alice has blue eyes. Jerry has blue eyes. Jerry runs. Alice runs. They run with their blue eyes. Four blue eyes. Four pretty blue eyes. Blue-sky eyes. Blue-like Mrs. Forrest’s blue blouse eyes. Morning-glory-blue-eyes. Alice-and-Jerry-blue-storybook- 2023 Anti-climb paint, paper, sapele mahogany, 91 × 91 × 6 cm1/90Rhea Dillon, She was washing dishes. Her small back hunched over the sink—a winged but grounded bird, intent on the blue void it could not reach. 2023 Brass and polyester, 21 x 9 x 12.5 cm1/90Rhea Dillon, An Unholy Trinity (the) Imaginary, Symbolic and Real 2022 Sapele mahogany, 117 × 87 × 87 cm1/90Rhea Dillon, An Unholy Trinity (the) Imaginary, Symbolic and Real (detail), 2022 Sapele mahogany, 117 × 87 × 87 cm1/90Rhea Dillon, Seeing from nowhere the place in between 2022 Concrete and glass, 31.5 × 13 × 13 cm1/90Rhea Dillon, Cup runneth over, runneth out, runneth raw—I forget my body is about me 2022 Concrete and glass, 19 × 23 × 29.5 cm 1/90Rhea Dillon, Sole Responsibility: Aged 12, but above III 2023 Cut crystal, Dimensions variable1/90Rhea Dillon, Sole Responsibility: Aged 12, but above III 2023 Cut crystal, Dimensions variable1/90Rhea Dillon, Sole Responsibility: Aged 12, but above III 2022 Cut crystal, Dimensions variable1/90Rhea Dillon, Sole Responsibility: Aged 12, but above III 2023 Cut crystal, Dimensions variable1/90Rhea Dillon, Vexilla Sumpta 2022 Oil and anti-climb paint on canvas, 105 × 210 cm1/90Rhea Dillon, Vexilla Sumpta (detail), 2022 Oil and anti-climb paint on canvas, 105 × 210 cm1/90Rhea Dillon, The Mythic Silent black Woman in an Act of Folding 2022 Oil on canvas, 45.7 × 183 cm1/90Rhea Dillon, The Mythic Silent black Woman in an Act of Folding (detail), 2022 Oil on canvas, 45.7 × 183 cm1/90Rhea Dillon, 42 Oakley 77 2019, from b to B 2022 Oil on canvas, 30 × 80 cm1/90Rhea Dillon, In spite of false Winds 2022 Oil on canvas, 30 × 80 cm1/90Rhea Dillon, Real Corporeal Gladstone Gallery, New York, 2022 1/90Rhea Dillon, 9/3 or I know how to fall (3) and I was born to nights (9) Bold Tendencies, London, 2022 1/90Rhea Dillon, The Sombre Majesty (or, on being the pronounced dead) Soft Opening, London, 2022 1/90Rhea Dillon, A Caribbean Ossuary 2022 Wooden cabinet and cut-crystal, 42 × 208 × 161.5 cm1/90Rhea Dillon, A Caribbean Ossuary (detail), 2022 Wooden cabinet and cut-crystal, 42 × 208 × 161.5 cm1/90Rhea Dillon, Every Ginnal Is A Star 2022 Plastic, 193 × 193 × 10 cm1/90Rhea Dillon, The Sombre Majesty (or, on being the pronounced dead) Soft Opening, London, 2022 1/90Rhea Dillon, New Wor(l)d. 2022 Sapele mahogany, oil stick and paper, 95.2 × 125 × 23 cm1/90Rhea Dillon, Both Low Hanging Fruit And The Scavenged High Rise – Either Way: Suspension. So, Slackening The Hold Here I Ask Through The Poethics Of Suspense, ‘How Can You Rest When Still Strung Up?’ 2022 Sapele mahogany crosier, bus seat moquettes and thread, 311 × 110 × 93 cm1/90Rhea Dillon, Both Low Hanging Fruit And The Scavenged High Rise – Either Way: Suspension. So, Slackening The Hold Here I Ask Through The Poethics Of Suspense, ‘How Can You Rest When Still Strung Up?’ 2022 Sapele mahogany crosier, bus seat moquettes and thread, 311 × 110 × 93 cm1/90Rhea Dillon, The Sombre Majesty (or, on being the pronounced dead) Soft Opening, London, 2022 1/90Rhea Dillon, Nonbody Nonthing No Thing V.O Curations, 2021 1/90Rhea Dillon, Nonbody Nonthing No Thing V.O Curations, 2021 1/90Rhea Dillon, From Landing to arriva(L) In Clear Waters Only I Can Paint Black 2021 Foam, bus seats, non drying anti-climb paint, plastic, acrylic paint & bleach, 135 × 88 × 72 cm1/90Rhea Dillon, From Landing to arriva(L) In Clear Waters Only I Can Paint Black (detail), 2021 Foam, bus seats, non drying anti-climb paint, plastic, acrylic paint & bleach, 135 × 88 × 72 cm1/90Rhea Dillon, Painting (D-o-u-b-l-e-P-e-n-d-u-l-u-m) 2021 Acrylic on bamboo, 142 × 2 × 4 cm1/90Rhea Dillon, Painting (D-o-u-b-l-e-P-e-n-d-u-l-u-m) (detail), 2021 Acrylic on bamboo, 142 × 2 × 4 cm1/90Rhea Dillon, Faeces I 2021 Polyester backing and foam, 45 × 55 cm (59 × 73 cm framed)1/90Rhea Dillon, The Myth Of The Noble Savage, A Hoodlum Afar And A Saint At Her Desk 2021 360° dome mirror, Jamaican coins, chain and non drying anti-climb paint, 60 × 60 × 134 cm1/90Rhea Dillon, The Myth Of The Noble Savage, A Hoodlum Afar And A Saint At Her Desk 2021 360° dome mirror, Jamaican coins, chain and non drying anti-climb paint, 60 × 60 × 134 cm1/90Rhea Dillon, The Myth Of The Noble Savage, A Hoodlum Afar And A Saint At Her Desk (detail), 2021 360° dome mirror, Jamaican coins, chain and non drying anti-climb paint, 60 × 60 × 134 cm1/90Rhea Dillon, Incomplete Lysis 2021 Concrete and glass, 43 × 15 × 29 cm1/90Rhea Dillon, Incomplete Lysis (detail), 2021 Concrete and glass, 43 × 15 × 29 cm1/90Rhea Dillon, Faeces II 2021 Polyester backing and foam, 45 × 55 cm (59 × 73 cm framed)1/90Rhea Dillon, Ffaeces I 2021 Polyester backing and foam, 45 × 34 cm (59 × 73 cm framed)1/90Rhea Dillon, Ffaeces III 2021 Polyester backing and foam, 45 × 34 cm (59 × 73 cm framed)1/90Rhea Dillon, Nonbody Nonthing No Thing V.O Curations, London, 2021 1/90Rhea Dillon, Vexilla Maurus 2021 Oil on canvas, 206 × 106 cm1/90Rhea Dillon, Vexilla Maurus (detail), 2021 Oil on canvas, 206 × 106 cm1/90Rhea Dillon, Janus Soft Opening, London, 2021 1/90Rhea Dillon, Janus Soft Opening, London, 2021 1/90Rhea Dillon, Janus *pause* leaking fortified enclaves 2020 Sapele Mahogany, steel and fluids, 100 × 100 × 18 cm1/90Rhea Dillon, Janus *pause* leaking fortified enclaves 2020 Sapele Mahogany, steel and fluids, 100 × 100 × 18 cm1/90Rhea Dillon, Cellar Door (A Litany) 2020 Anti climb paint, oil and newsprint on board, 86 × 51.5 cm1/90Rhea Dillon, Cellar Door (A Litany) (detail), 2020 Anti climb paint, oil and newsprint on board, 86 × 51.5 cm1/90Rhea Dillon, No Man Is An Island Almine Rech, London , 2020 1/90Rhea Dillon, Angels Die So Pigs Can Fly And Other Folks Tales 2020 Oil and acrylic on canvas, 40 × 30 cm 1/90Rhea Dillon, Icarus! Icarus! Icarus! 2020 Oil and acrylic on canvas, 45.5 × 35.5 cm1/90Rhea Dillon, Dishwater and No Images Peak Gallery, London, 2020 1/90Rhea Dillon, These words took years to arrive *pause* leaking fortified enclaves 2020 Ink and acrylic paint on paper mounted onto felt noticeboard, 60 × 90 cm1/90Rhea Dillon, UdderAngel 2020 Acrylic on canvas, 100 × 150 cm1/90Rhea Dillon, Golgotha 2020 Thread on Barbie blanket mounted on rusted steel cross, 196 × 120 × 30 cm1/90Rhea Dillon, Golgotha 2020 Thread on Barbie blanket mounted on rusted steel cross, 196 × 120 × 30 cm1/90Rhea Dillon, Atlas’ Duppeee Whoopeee Seat: women should stop cleaning faeces, everyone should clean faeces 2020 balloon, disinfectant, body oils & found object, 98 × 54 × 64 cm 1/90Rhea Dillon, (Working Title) Browning 2025 2021 Video, colour, sound, 28 min